Drawings Van Gogh Made After Vowing Never To Paint Again Are On Exhibition in Amsterdam
Saturday, July 14th, 2007 by MICE Editor->
A new show will hit New York Metropolitan this October, entitled
‘Van Gogh draughtsman: The masterpiece’. The exhibition features over 100 drawings by the artist, some of which are series that have never been shown in their entirety before. Even though they are mostly pen and pencil drawings, viewing them you can sense they’ve been made by a painter bursting with color.
Among the highlights of the show are the drawings produced at Arles where Van Gogh lived in 1888. There’s a series of landscape drawings in reed pen, studies which culminated in the so-called second Montmajour series of six large views of the countryside in Provence. The drawings, made over three months, reveal a countryside that’s shimmering from the pages even though there’s no paint involved. Van Gogh drew these when he was staying in an asylum and it is the first time that the series is on show in its entirety.
Being an artist that strongly contributed to people’s idea of agony and passion that characterizes the modern art movement of which he was an early member, this show is a must for anyone wishing to take in the experience first hand. A total of 24 out of the just over 100 prints on show were made in April and early May 1888 when Van Gogh had decided to quit painting altogether. Some of the drawings turned out almost as paintings. The art world also goes berserk over Van Gogh’s drawings because they generally highlight such distinct phases in his work and life. Later that month, he drew a special series of seven views of the Abbey of Montmajour, also on show.
Van Gogh, who trained himself in the art of painting by starting out drawing landscapes, domestic scenes, people and portraits, tended to study objects intensely. He hardly ever commented on his drawings, and never gave value judgements, but it is said that he himself also agreed that although his later drawings substituted his paintings, he never blurred the line between painting and drawing. Critics say that even during his last days, the motifs of paintings and drawings were not mixed ever. Van Gogh experimented in his drawings with vantage points and the size of his paper. Each production is also said to have been made with sharply distinct ideas often illustrative of his innovative drive.
The just over 100 drawings exhibited are usually kept in safe vaults, away from daylight that would destroy them. Some of the works are on loan from the Paul Getty Museum, the National Gallery of Art in Washington, the Staatliche Museen in Berlin, the Kunsthaus Z